Showing posts with label "R.Paul Mohan Roy". Show all posts
Showing posts with label "R.Paul Mohan Roy". Show all posts

Thursday, September 9, 2010

Vikatan Stories 2 Do Mountains Ever Listen to Man’s Murmurings?


Do Mountains Ever Listen to Man’s Murmurings?*

By

R.Paul Mohan Roy

[* Based on a short Story in Tamil published in Ananda Vikatan, August 4, 2010]


Last month one Sunday evening, I was walking on the sands of Marina and I stumbled upon my childhood friend Raman. Early in our youth we were neighbors in a small village abetting the Southern Ghats. We studied in a school known for its nineteenth century discipline.


Raman was the last of a large orthodox family of six children with parents and grandparents. Unlike his elder brothers, who sported tuft on their half-shaven heads, Raman’s hair style—-his hair being combed back neatly with no central or side parting—-was the envy of the boys. For a boy he was tall and handsome.

We spent a couple of hours swapping notes on our life and work after the school. Raman, after graduation from St. Joseph’s, I learnt, had spent larger part of his life as an academic in universities in the North, in places like Shillong and Kashmir. Strangely enough, he had not mentioned anything about his family (if he had one) or his present retired life in Chennai. But he was keen on enquiring about me and my mother and father.


My professor friend Raman now suggested that we go on a holiday to a tourist destination in the midst of lush green forests of South India. It was almost an invitation I can’t decline. Another common bond that united us was our love of trekking in the forest roads near our village. His was deeper in the sense that he found forests offering him endless opportunities to interpret nature. He told me about his strange fascination for waterfalls in forests. His sensibilities, I understood, were so attuned to hear music in wind or see tragedies in waterfronts.


The story-tellers, professor Raman was one among this tribe, have a way of keeping company alive for hours. From the moment we boarded the Pothigai Express, he spoke of our days in the village, the friends we had had and their rural hospitality, the day Dr. K.S. Krishnan of Babah Atomic Research Centre visited our school, The Hindu High School, his alumni. Raman made an intimate recollection of our teachers and those foreign missionaries who sipped cream less filter coffee in his brother’s roadside hotel. He reminisced with gusto our first school excursion to Mahalingam Hills by walk, where Jaganathan broke his leg. Raman believed that Jeganathan, later his classmate in St. Joseph’s, Trichi, now settled in the US would have narrated this event to his American wife to the point of boredom.


I, on my own, began recollecting those days of calf-love I dated in reverie and the little errands I did to the senior girls. Raman understood the meaning of the mild rays of joy reflected on my face.


“Now you are thinking of those Gokulashtami days and our visit to all neighborhoods around our house”, Raman hissed into my ears with a boyish smile. The pranks I played on the girls, he did not mention. Thank you, Raman.

Seventy is the right age to replay one’s youth, I was thinking.


Raman skipped the topic, for we might trespass into each other’s sacred territory, held secret or hidden.


After a night’s journey from Chennai to Tenkasi and an hour’s pleasant drive on a newly laid road snaking through tall green coconut groves, we reached the place. We checked into a lodge where Raman used to stay. He said he had a room reserved, in the top floor, his regular preference in all his previous visits, having a window through which one could see a picture-perfect-post-card view of the white waterfalls in wide angle. Yes, it was true.


“An August evening is the right time to be here”, said Raman, climbing to the terrace through a narrow staircase, littered with damp mass of dead leaves. He was silent for a while, watching the sunset. We saw the Red Crescent dip into the mountain cleaves, throwing its last golden rays to light up the clouds yellow. I looked at my friend and the clouds alternatively. The sight filled me with peace. But behind Raman’s exterior happiness, I could see a sheaf of sadness stacked one over the other, lurking under his heart. The milk-white water falls was seen coursing down with a strange but rhythmic sound of different drums.


“Memories have weight”, Raman said throwing his glances skyward. “Even they have color and smell. They are always fresh and alive, however old they are. They have the buoyancy to emerge from the deep, as they never allow you to disown them”, said Raman. What kind of memories he would unleash to a passive listener, I was wondering.

“This place, these tall mountains and green forests, with a smell of new rain and the constant noise of the waterfalls remind me that they offer a mystery to the visitors. They even signal danger”, the story teller suddenly became serious.


I wanted to bring him to the reality of the evening and the dinner waiting for us downstairs. “I always find beauty in nature”, I side tracked his thoughts. “Look, how the white clouds change colours and sail past the green mountain. We’re on a tour to relax. Don’t you agree with me?”


“Do these clouds and their interplay offer us any message from nature?” asked Raman. I had no answer. I found the story teller in Raman, had a way of describing events and situations in his own inimical style.

“Do you find any meaning in their grandeur”, he continued. “If you could sit on these clouds, what would you see below? Won’t we feel insignificant at seeing our own clan down in miniature? We would see meaningless movements signifying nothing but sorrow and uselessness”.


“I’ve seen innocent bystanders looking intently on the falls and slipping into the water only to court death. Was it a suicide or an accident, would be debated for days on end. Some lovers and newly married couples, after visiting this falls fall apart and break their bond for no ulterior reason. Why? I find no answer. The more I reason, the more I feel emptiness in our life”.

“Watch these mountains at the dead of a night. You’ll hear the wind making an eerie sound raising its pitch that would pierce through the insides of your bones and make them chill. It’s a warning—-nature’s warning—-pleading us to leave it to its own roar”. Raman became serious.


A bearer from the restaurant sneaked in and said, “Sir, Dinner?”

“Oh, I forgot to leave an order for our dinner”. Turning to the man Raman said, “Beer. Chilled beer. Make it two large glass. Dry Chapattis and Chicken Masala. That’s all. We prefer a light dinner”.


When did Raman become a Boston Brahmin to take drinks and meat?


Raman read my surprised look and answered, “It was only your mother who gave me the first taste of roasted chicken and bread stuffed with eggs. Don’t you remember we took lunch in your house after celebrating India’s third Independence Day in the school. You don’t know how I relished those servings, watching the Last Supper hanging on the hall opposite to your dining room”.

*** *** ***


Now it was ten in the night. After dinner we came to the terrace again, and sat on the same parapet wall, both facing the waterfall. But for the sound of the falling water there was absolute silence, disturbed now and then by the screeching noise of an owl, the ominous bird of night. Moths and tiny insects fluttered around. Years back I had seen fire flies twinkling against the dim white of the falls. Now, as we saw none of them, I presumed that they have joined the list of extinct species.


Raman lit a cigarette and inhaled a long puff, looked at the sky and let the smoke go in rings through the thin hole of his pouted mouth. There was a kind of manliness and a sign of power in the way he held the cigarette and smoked it with a relish. When he made another puff, I noticed his face in the glow of the butt. With his pencil-thin white moustache, Raman, he must be in his early seventies, still looked handsome. But traces of intense sadness were seen playing on his face.


Raman said that this place has a history of sorts-—of religion mythology, power and even untouchability peculiar to our society. The stream up in the mountains, before it gathers momentum, meanders through hundreds of medicinal plants, native to Indian soil. According to Hindu mythology this is one of the five places on earth, which Lord Shiva chose to display his dancing prowess, and hence sacred to Shaivites. Here, there is a temple where Shiva denied Dharsan to a group of our own people, labeled untouchables. They were made to stand at the door and stare at a God who was so near and yet far way. Till 1930 it was the white man’s privilege to bathe in the falls, guarded and protected by the Indian police. That it was pax Britannica went unchallenged and accepted by our forefathers. There was a pit downstream, a 20 by 40 water log where the natives could bathe in the water that had washed the white man’s sweat of the day. No white man or woman was ever washed away in flash floods, whereas every season, till date, it claims a handful of Indians. A choice set of medicinal and flowering plants of this area were taken to England by some British botanists. There they did not take roots. The British rule lasted barely for two centuries. But this waterfall in the Southern Ghats is here for thousands of years, witnessing each passing phase of history.


“To some tourists it is a place reminiscent of sorrow and separation”, Raman Said. “Call it a mysterious power or magical spell, or an intimate call by death, these hills have it. Once I’d seen a bystander looking intently on the waterfall and slipping into the water only to be traced breathless next hour. Last year, I saw a Japanese couple, who had rented a room next to mine, quietly sitting on a rock, far away from the falls and watching the Indians bathe, woman fully dressed and men in their assorted inner garments. They looked neither happy nor sad. But they were there for more than an hour, keeping their Canons and Nikons covered in the pouch. Next day I saw one of them in the train I was travelling back home”.


“This Lodge stands on a piece of land first assigned to a white man, a high ranking police officer of Scottish origin. He had plans to erect a big bungalow with windows overlooking the water falls. When the Indian Independence became certain he regretted to have his home built away from the British Empire. He made preparations to leave India. He wrote to his father explaining his love of this hills and how he was forced to drop his project and sell away the land. The father wrote back: the land, be it in India or Britain, does not belong to us; it’s to the land we all belong for our final rest”.


Raman had more to say about the darker side of the falls. There was a young British man by name Ashe, more precisely Robert W. D. E. Ashe. He was the Collector of this district in the 1910s. He used to frequent this place often. In one of his visits he must have had a premonition of death waiting for him. What else would have made him to cut short his holiday and return, only to receive an assassin’s bullet right on his chest and die on a railway platform? The assassin, one Vanchinathan Iyer, who lived just a kilo meter from this place took himself another bullet to escape arrest. Ashe was buried in the Military Lines Church cemetery followed by a brief funeral service. The conspiracy to its last detail was hatched here in this forest.


The assassinated and his assassin became martyrs in their own way. To the rulers Ashe’s death was proclaimed as supreme sacrifice for the cause of British rule in India. To the extremists in the freedom movement it was the first act in the bloodiest drama of the colonial history. The white man’s widow, who bore the loss silently, was promptly shipped back to England, where she committed suicide in the fond hope of joining her husband in the world of spirits. People say the Ashe couple still roam these jungles and frighten the descendants of Vanchinathan.


During his last visit, Raman had seen a little girl standing alone and crying near the main falls. There were tell-tale-things of a mother—-a dirty sari and a small bag nearby—-having gone for a quick bath. As the hours wore on, no one turned to pick her up. The girl started crying. She was not crying for her mother. It was due to hunger and thirst, for she was not fed the previous day and night. The fault of being a girl caused her to be abandoned and made to fend her way for herself. The mother must have believed that someone would care for her daughter, if left alone in a crowded tourist centre. Police took her, fed her and gave her away to an orphanage, the Parker Home on the plains. The hills were silent, witnessing our collective joy and sorrow. Though placed in a silent mode, willingly, I could feel the emotional debris in Raman.


“Have you heard of the famous Indian playwright, Harindranath Chattopadhyaya, brother of Sarojini Naidu?” asked Raman. I least expected a question like this in the middle of a night on a holiday in a forest lodge.


“I haven’t read his works. Has he written about this waterfall”? I asked.


“He has not written anything about this place, but it had a strange connection to his life and marriage. He is known for his plays. They are subtle commentaries on Indian life, some even bordering Shakespearian grandeur. How the Indian society offers a golden gage to our women folk is the one underlying theme in most of his plays. We revere our women in private. But their place is always a cage. Their wings clipped and movements curtailed they are chained to traditions. Our national leaders used to quote Harindranath whenever they speak about women liberation”.


Raman waxed into an eloquent display of his acquaintance with literature and Harindranath’s portrayal of Indian women

Why Raman was speaking so much about a playwright who lived decades ago in a far of place, no way related to our present holiday.

“What brings you to refer Harindranath now?” I asked him hesitantly.


“There is a connection. This place has a role in his life. It happened in the 1930s. He courted a teen-aged widow by name Kamaladevi, who was then studying in Madras [now Chennai], married her and took her to this place for honeymoon”. Raman gave a pause to the narration, lit another cigarette and looked at the sky as if he was telling his own story in flash back.


“Do I need to dwell in detail how a couple would have spent their first days and nights in a place like this. All day they roamed around the hills and walked along the streams, looked for an early dinner, and in the night they gave shelter to each other’s bodies. After a week’s stay, they wound up their honeymoon and left. What evil spell befell on them, no one knows. On reaching Hydrabad, they became strangers. The bonds of love built under the shades of forest trees began to fall apart. They were not on speaking terms though they lived and travelled together. No more they lived as husband and wife. Theirs was the first mutually accepted legal separation in India. A famous writer who fought for women’s liberation could not live with his wedded wife”.


“Why?” I asked, “What happened?”

Raman shook his head. Lifting up his hands, he drew a blank in the air and said, “No one knows to this day”.


“Are those plays were written before his marriage?” I asked.


“I know for certain his plays were written after his visit to this place, I mean after their years of undeclared separation, but living under the same roof. His friends said it was a closely guarded secret between Hirendranath and his wife”. Raman gave another moment of silence to intercede. “I’m just thinking of the strange codes our society has imposed on man-woman-relationships”, he continued.


He looked at the stars as if to find an answer from the heavens. Why he chose to retrace this strange life of a playwright and tag it with a comment on society.

Did this story of love and separation bear any connection to Raman’s?


I wanted to shift the topic to our home turf, more familiar to both of us. I recalled the life of our neighour in our village, Krishna Rao, who was remembered for his constant quarrel with his wife of forty years. “You remember he had a good brood of twelve children and yet fought with his wife on every flimsy ground”, I said.


“Hi! Man, you mean Krishna Rao and his progeny”, Raman said with a sneer. “It had nothing to do with heart or emotional compatibility. It was all about hormones—-the interplay of t over e”.


“What”, I asked in utter confusion.


“My dear friend, it was testosterone seeking estrogen”.


Raman laughed loudly and joined me in recollecting Rao. Every morning, for Rao and his wife life started with a quarrel throwing vessels at each other uttering words most foul on earth. It was a wonder how they sired that many sons and daughters though they lived in total discord. I’d seen Rao’s wife always pregnant and having a child perched on her broad hips. Raman even recited the names of all the children in the order of their age. An incredible memory, Raman had.


“You know they never quarreled in the nights”, said Raman. He repeated it giving a mild stress on the word nights. We had a good hearty laugh for a minute.


“There was a song, Raman reminded me:

Where were you, my dear?

When the lights were out

sung by the American youth hinting their love making when there was a power outage in New York one Saturday night. Ten months later, the population curve showing the birth rate in NY pointed a sharp jump, corresponding to the day they had that unusual power failure”.


“When the lights are switched off, the desire of the body, be it the Rao’s or his wife’s, kept the quarrel at bay. Their house always smelt of babies, as much as their parents were in peace in the nights. In their first twenty years of married life they produced eleven children, and at their twenty-fifth they added one more to bring the brood to a dozen. He was just fulfilling our biological obligation to nature. Paul, did not your God give an injunction: go and multiply, and fill the earth? Rao obeyed it faithfully and kept his routine-—spending the day in full-throated anger and hugging his wife in the night. In their daily quota of quarrel, both had equal share and showed the same amount of force and the same kind of words to abuse each other, while the siblings remained mute spectators. But life went on, inside the cage, never wanting to call it a day”.


“Is it not strange?” I made my comment that kindled Raman further.


“They’d given a free rein to their hormones. Their genes”, Raman said, “were so conditioned to live together, quarrel and beget children. More appalling, Krishna Rao and his wife bore no emotional scar. For them nature is no more than the saucepans they throw on each other. If they had divorced, they might have had freedom. But freedom they did not want. Freedom is not the be-all in their life. Inside the cage, they wanted to stager through its lanes and bye lanes that lead to cozy nights. They would have drawn their own rules of life dictated by passion and not by emotion. Their marriage, though built on friction and discord had survived while the Harindranaths’ went awry”.


As we descended downstairs, I was thinking of my friend Raman. Why he remained a bachelor was always a riddle to me. Why did he not visit his ailing parents; why he did not come to light the funeral pyre, as the custom warranted, when his father died. I kept asking myself. If I were to give credit to our village rumour mill, Raman had had a dalliance with a cute little thing while he was doing his college studies. The village gossip had several strands─-that the girl he was in love with was not a Brahmin (true), that she was of low birth (may or may not be true), that one day he took her to his ancestral farm house at the edge of the forest (subject to verification), that he secretly married her (highly doubtful), that he deserted his parents and never returned (of course, true)-—the gossip had enough weight to shatter an orthodox landed gentry of the day. They, his mother in particular, were shuddered at the thought of bringing in a non-Brahmin daughter-in-law. The wall of justification that they raised was: how could an untouchable become part of a touchable household?

Raman looked back at the parapet wall. I thought he was looking for his pack of cigarettes. There was none.

I asked, “Looking for the pack“?


“No. I’m searching one part of myself. I left it here years ago. The wind washed it away. I couldn’t retrieve it back”.


Seasons keep changing, but nature never bothers to know man and his plight on earth. Winds keep blowing and it never lets men to track its secret journey. When or where it will strike next is not left to man’s guess, Raman tried to tell me.


Yes, the wind has a power to brew into a storm and uproot trees. But it can’t reformat your memory”?


On reaching our room downstairs, Raman said, “Tomorrow we’ll trek up the mountains. There are small streams. They sprout from springs no one had seen. The streams carry water pure as white crystals, all through the year. They turn into a brook that runs slow, and then joins this thunderous falls. It never bothers to read man’s thoughts”.


Do mountains listen to man's murmurings? I spent the night engrossed in searching an answer my friend could not find.

Wednesday, June 10, 2009

VikatanStories 1





Hey! Guy, You’re Telling Me a Lie*


[*A Short story in Tamil by Thamira published in Ananda Vikadan, February 25, 2009. Translation by R.Paul Mohan Roy]


It’s almost midnight, the hour of confidence, loneliness, and intimacy. Save the two of us and one last bartender, the place is empty. There are few drops rolling at the bottom of the wine glasses we are holding. They can’t be licked out unless we add more to gulp them neat.


I look at the friend appealingly. It means I’m not sufficiently drunk to turn into a creator. The friend understands my need. People in a pub strike a quick friendship the moment you stand for a second drink.


“Am going to create a god”, I repeat my refrain. The friend doesn’t laugh. He takes it as if I’ve said I’m going to draw a boat.


“You’re not kidding, I know. You look serious.

Are you a sculptor? What experience you have? How many gods you have produced?” the friend asks.


“Yesterday I produced a sea, complete with clouds, white and dark, sailing on a blue sky”, I reply in right earnest.


“Ok friend. Go ahead and create a god of your taste”, the friend encourages me, raising his hand towards the waiter. His thumb points to the two empty glasses on the table. A new bottle is brought and opened. Our glasses are filled to the brim. There is a rhythm in the sound of wine being poured. I like the poise and the sense of sanctity shown by the waiter when he puts ice cubes. An artist perhaps!


“So you’re going to create a god in the corner of a wine shop”, the friend continues. “Don’t we have enough gods to take care of us? The gods have their own disputes. I’m told they are busy fighting for their ranks. And you say you’re going to add a new designer god to the pantheon”.


“I don’t believe in the common gods whom everyone worships. I’m an agnostic. All that I need is a personal god—an exclusive one for myself. At my god’s feet I should be the only devotee”. I take the last sip and push the glass to my right.


“Nice tipsy talk. You know how many gods we have. Add them to the Roman and the Greek ones. Thousands there are—-male, female, half human and half animal. We have one for each village, and one for each profession”.


“I don’t like any one of them. I want a special god exclusively for me—a god or goddess in my wave length”. I’m firm in my desire.


“I don’t get it. What type of personal god you’d create”? The friend insists to know my preferences.


“I want to customize a god who would remain friendly—friendly to me alone. Finally my god or goddess should have no other devotees”.


The friend offers to play god and says,”take me your god. An offertory of two bottles of wine a week is enough. I’d bless you seven long days”.


If I stay another hour, the friend will abort my very idea of having a personal god.


”Well, you’re a creative genius; your eyes tell me so. Go ahead. I wish you succeed”.


“Let me know what type of god you are going to create, male or female, young or old?” are the last words the friend flings at me.


We part at this design stage, but the friend’s parting words ring in my ears. I take the cue and start giving a shape and form to the god I’ve conceived in mind. I’ve the cast ready. In the comfort of the soon-to-be-born god of my choice I sleep.


*** **** *****

Next morning fragrance of fresh jasmine wakes me up. I see her sitting on the edge of my table. She wears the girl-next-door look, a picture-perfect pretty woman, young, youthful and strangely charming. Her face reflects innocence, pure and unalloyed, of the pre-fallen Eve. Is she not the god of my own creation, complete in ways I’ve wished my god to be, I ask myself. I sense she is reading my thoughts.


“You’ve summoned me and I’m here before you”, my god speaks to me for the first time.


I’m amazed to have a woman—a young woman at that—as my god. What’s your name, I do not venture to ask. I’m lost, totally lost in this artistic creation I’ve materialized. I start admiring the woman in her. I like the way she looks at me. Again she reads my thoughts and desires, even those ones which I try to keep hidden, unsuccessfully, in the inner recesses of my heart. Does she look divine? No, she is divine, I tell myself. But why she looks this much beautiful like a mortal, I question. I find no answer. I’ve no words to communicate with my goddess.


I sit lost in wonderment, eying her curiously. Her eyes are focused on mine, first questioning and then doubting my curiosity. Have I ever wished my god to be a woman, I begin to doubt.


The god I’m longing for is no more distant or remote. Here she is, sitting in my room, sitting on the edge of my table, dangling her ivory legs in the air, and leaning against my book case. She walks towards me. There is fragrance in the air, of a woman emerging from her bath, with drops of water still dripping from her dark hair.


“Come on. Get up. Wash your face”, this is the first command my goddess gives me. “I’ll go with you to your tea shop. Let me join your morning tea”, she throws her first invitation. I obey implicitly, and I’m waiting for more commands. I watch her through the corner of my eyes.


We begin to walk, side by side, to my tea joint. The road is narrow and slippery due to the previous day’s rain. She walks like a little deer sauntering in measured steps. Her arm brushes against mine. She takes no notice of her being touched, done more intentionally by me. My hand begins to grab her palm, and our fingers knit. I’m unusually happy as I’m walking along with a woman. I’m beginning to forget she is my goddess.


Does the tea man watch our coming towards him? I wonder why he fails to notice my new companion, a woman holding my hand and beaming with a smile. How will he ever know his customer is taking a goddess to his lowly place?


My goddess looks at my face and smiles. Closing her eyes for a second she keeps her index finger across her mouth. It’s another command to keep the tea man away from our company.She makes a sign to turn back to the room. We walk silently, though I hold her hand and feel the warmth and softness of her body. Now I have nothing to talk. But I have plenty to watch and enjoy seeing her walk with me. I lit a cigarette.


“What’s that? Give me one”, she says.“It’s a cigarett


e. A goddess should not smoke”, I tell her the mortal’s privilege. I convey this with my newly assumed authority over her.“O! Then you don’t do that”, she hissed softly into my ears. I feel a peculiar sense of bondage in being commanded by the woman walking by my side. Giving her third command, she pulls the cigarette off my lips, gently, and tosses it with a twist. The cigarette flies with sparks and she watches it with a curiosity of a little girl in play. I feel happy to come under a complete spell of my little goddess. As we walk back our shoulders brush, now and then, but mildly enough to be felt by her. My fingers search for hers, clinch them and count one by one. She does not mind or respond to the warmth of my nibbling.


“I remember I’ve seen you”, I tell her a lie.“When did you see me?” is her reply.


“Was it yester day or day before yesterday, may be a thousand years ago”, I add new dimensions to my lie. “I remember I’ve seen you when I was young; you do not age; you look the same”, I complete the imagined meeting.


My mind is busy composing poetry.


Goddess of my own making

No altar or sanctum she has.

She smiles and speaks in songs

But recite no Vedic verse.

Though a holy blend of all elements she is

No God like hers I see on earth.


“What is this”, she asks me, laughing loudly.


It’s an ode in celebration of our meeting, I do not say.


“It’s a hymn in praise of my goddess. A devotee should have a special one to sing”, another lie from the poet in me.


“I don’t like this”, she says, suddenly increasing the phase of her walk and freeing her hands from my grip. A first disagreement has sparked.


“Why you don’t like this”, I question her.


“I don’t like your ode. Should I explain why?” she retorts and walks fast a few steps ahead of me. Back to the room we walk, now silence being my second company.


On reaching the room she looks at my table, pulls out a book and starts reading. A hand on her chin she looks more of an angel posing for a master painter.


“You’re an angel right from the heaven” I tell her. You are a woman, my heart says.


“Tell me, am I an angel or a goddess”, there is a note of mild anger in her question. Again my heart says she is a woman, though I don’t dare to utter. I haven’t expected this sharp retort from my goddess.


“Why blink? Tell me, guy, whether I’m your god or angel”.


I think for a minute to fish out a compromising answer.


“An angelic goddess”, is my timely reply in a belief that she’d like the new status I’ve conferred on her.


“Hey! Guy you’re telling me lie”, pouting her lips, she winks at me. She has come nearer to truth, my heart confirms.


I don’t want to lose my goddess so easily. A kind of new love and affection blossoms in me, with added courage. I feel I’m a male Andal pinning for his lady love, the goddess.


I fall prostrate and touch her feet singing a new hymn. She steps back and avoids my hands touching her.


“I don’t like your falling at my feet”, says she. I infer a change in her tone.


‘You’re my god and I, as a devotee, have the right to touch your feet. It’s the beginning of my worship. Aren’t you my god”?


“Repeat your ode and let me hear it again”, she wants to test me perhaps. I do repeat, this time with a voice and cadence of a singer she may like. Almost like a pious and genuine devotee I recite my ode appealing to her feminine godhood. She closes her eyes and listens. I see a smile spreading her face. Before I recant the ode for a third time as a refrain, she jumps, rushes closer and hugs me tight with a kiss on my cheek. I win back my goddess, I tell myself.

*** *** ***


It begins to rain outside. We come out and watch drops of water bulleting down. The breeze carries the smell of rain and earth right into our hearts. All strange desires it kindles in me. She stretches her hands as if to caress the rain, her face beaming with childish happiness.


“Sing me a song about rain. I want to dance and get drenched. She cups her hands, catches rain drops and splashes them on her face. I’m lost in watching the simple pleasures of my goddess.


“Do you hear me? Just sing a song. Compose one if you don’t have it ready. I’d love to hear you sing a song on rain”, she insists.


Our hushed-up kisses

Remembrances of our late night duels

Little unarmed fights

Made wet by the rain

Now melt before my eyes


She jumps up, and her arms embrace me tight, showering kisses on my cheeks. I’m shell-shocked and remain frozen for one long second. My arms respond with a reflex, two bodies trying to merge into each other.


“Watch this”, she points to her cheeks studded with glossy drops of rain. “They won’t dry. The rain can’t steal them away”.


Yes the rain continues. It’s a special rain summoned by my goddess to keep her spirit and body wet.


Evening comes. My friend steps in to take me to the temple, an evening ritual I share with him every day. I tell him I live with my god. My goddess bursts into laughter. “Why you laughed”, I ask when my friend left.


“Is it a secret that you live with your god? If you tell him I’m here by your side, won’t he think you’re mad? Won’t he laugh?”


“How would you call me, give me a name”, she turns to a new subject.


“Yes. A goddess must have a name—Kaali, Marri—something like this”.


Before I finish she interrupts. “Give me a name, a good name for your goddess”.


A hide-and-seek game starts. I have to search and choose a name for a woman god. I start recollecting names of women I remember. Names have peculiar association with the exterior. We love or ignore a name; it’s the degree of intimacy that decides our choice.


“Brida Coelho”, is my first choice.


“Who is this”, she asks.


“It’s an immortal character in a novel. She is a beautiful young girl on a long journey in search of knowledge. I like her”.


My goddess is not happy about the name. With a swish of her hand cutting the air, she rejects. I search for another name more attractive than an imaginary character. My name dictionary gets exhausted. I make a rapid scrutiny of names of woman against the features of the one standing before me.


“Madonna”, I jumped with a tone of finality.


“Who is this? An artist or an actress?” she asks.


“Neither. She is a singer; a beautiful woman”.


“How would you call me”, she questions.


“I won’t dare to call my goddess by name”, I feigned to steal a place in her heart.


The meanings and undertones I’ve packed into the name, I only know. Here is a devotee suggesting a formal name to his god. I wish the conversation to prolong. But I give her time to read my mind, scale its depth and find out my affection for her. She is silently watching me. I have nothing more to convey except that famous name I mentioned. I look at her patiently. It’s the look of a beggar with outstretched hands.


“So you want me play a singer”, she laughs when she utters this casually. I’m stunned. I feel I’m slipping into a world of rejection—back to my old world of loneliness. Her looks are piercing.


“I’m in need of a god, a friendly personal god. I never meant a goddess”, I’m about to tell her the truth.


“Hey! Guy you’re telling me a lie”. She says. “All that you need is not a god. You need a woman and you want her to shower you with love. Go. Search for your Madonna and marry her”.


She does not wait for my reply. She treads soft, leaves through the window and merges with the air. Her footprints, I’m left to bear on my heart.

*** *** ***

Midnight rendezvous in the bar is the last item in my day’s schedule. I meet the friend to whom I confessed my plans to materialize a god. I stand for the first round of drinks, followed by old stories often talked about in bars. He has conveniently forgotten our meeting previous night. I tell him about my god’s visitation in the form of a young woman, her earthly beauty and the poetry I’ve recited. As a gentle man and a responsible drinker he listens to the description of my goddess.


Placing the glass with a mild thud on the table, he says, “Hey! Guy, you’re telling me a lie”.